"Kate's eye was caught by a splinter of light, dazzling
somewhere over her head. One of the drones was carrying an image
of the rocket ship she'd noticed before. It was climbing into
the patch of blue-gray central Asian sky, utterly silently. It
looked strangely old fashioned, an image drifting up from the
past rather than the future. Nobody else was watching it, and it
held little interest for her. She turned away."
After waiting a lifetime for space travel to get underway, Arthur
C. Clarke has joined forces with fellow British master Stephen
Baxter to write a story about what lies beyond the death of the
dream. Though others have collaborated with Sir Arthur before,
they were outmatched and outclassed and the results were never up
to expectations. Stephen Baxter has the both the requisite talent
and tone, but his works have tended to a post-modern glumness, a
much different tack from the hopeful worldmaking of Clarke.
Instead of journeying outward, The Light Of Other Days shows us an
all too plausible future closer to home.
Hiram Patterson, global media magnate of the 2030s, is tired of
getting scooped by other news services. So he spends a few billion
dollars on research and develops a way to manipulate subatomic
wormholes to connect any two points and open a window to anywhere
allowing him to put a camera on the spot instantaneously. I
suppose he could have just used web-cams but what fun would that
have been?
Hiram also wants to create a dynasty, àla Joe Kennedy, and is
using his two sons and the wormhole discovery to do it. For a
time, he lost his first son to the religion virus, as he puts it,
and has taken careful steps to make sure that won't happen with
Bobby, the second. Thanks to Kate Manzoni, a willful freelance
journalist who falls in love with Bobby, all the careful plans
Hiram has for the future threaten to come undone and the two wind
up on the run in a world where surveillance technology can see
anyplace, any time.
Even though I liked the lovers on the run part of the story,
and the characters in general, The Light Of Other Days is
really about the ideas the authors unfold. They bring out the
looming threat of asteroid impact, silvering of America, cognitive
enhancers to combat senility, massive climactic shifts with
permanent storms and northern Europe frozen over, elective brain
surgery, Catholicism in England and cultism in the US and more.
It's Clarke's library of ideas displayed by in grand style by
Baxter.
When the discovery is made that the wormholes can tunnel across
not only space but also time, another of Sir Arthur's sacred cows
ambles forth as the book spends a considerable amount of time
debunking the saints and heroes of the ages. Ultimately the
wormhole device is, as the authors put it, a truth machine, and
the they use it to show the panorama of human history, first
tearing down the notion of godhood, and then showing the
connections of all life on the planet as they trace a single life
backwards in time through it's ancestors all the way back to a
single-celled organism and beyond.
It nagged at me as I read this section that I had seen the
demystifying of history by being able to see into the past
before... and most likely by Clarke himself... indeed I had, and
the authors are nice enough to point it out in the afterward. The
previous work was Childhood's End, and very much the same
sort of past by remote viewing is a gift of the Overlords, the
aliens who have come to watch over the transformation of mankind.
The truth can also be used to tell a lie, the Brit boys point
out, as the storyline follows Kate through her incarceration on
charges trumped up by Hiram. It can be very disquieting to watch
the authors demonstrate that an individual's memory of events is
no match for the external record in this very Orwellian twist.
Speaking of truth machines, if you enjoy The Light Of Other
Days, you may also enjoy James Halperin's Truth Machine,
which covers some of the same ground from a different angle, but
with much the same style. Even if Halperin is a Yank.
Ultimately the book is about the change to a trans-human world,
which is disconcerting because they convincingly connect the dots
between here and there. Artificial telepathy, memory and cognitive
enhancement, hormonal controls, all pretty obvious steps on the
road to post-humanity, but after we are done, will any of the
original remain? Does it matter? These have always been central
questions for Clark, and the current book adds food for thought.
Although tame wormhole technology may be a bridge too far for
many technologists, a number of the questions in the book pose
themselves just as well if they are posed by technologies rapidly
becoming real. If you wait long enough, the future is bound to
become the present. And Sir Arthur has been waiting patiently for
some time.
Stephen Baxter is an excellent writer alone, but I enjoyed his
duet with Clarke tremendously. If the spirit moves them, an encore
would be welcome.